I have analyzed my struggle with the book. I began it rather naively--writing whatever scenes popped into my head after a brief outline. I'm sitting back now and re-planning the whole thing. I apparently need a strong outline, and my rather nebulous notes about what's coming in the book do not sustain my momentum. I know what makes my main character tick, for the most part, but I'm not sure why she cares about the secondary character, whose murder sets everything in motion.
And I am fragmented. I'm working on a quilt, keeping the homeschooling stuff going through summer and preparing for our classes in the fall, and we've had a death in the family this summer. That leaves a gap, and an emotional hole to dig out of to reach the surface again. Add travel plans to see my side of the family, keeping the household going, and arranging times for my daughter to hang out with friends. I'm a taxi service. So a lot of my notes are on little pieces of paper that I have to translate when I get home. Some of those notes require their own Rosetta Stone. I wish I had better handwriting.
What I have to do is to keep plugging away-and to remember that I'm telling a story because I want someone to read it, laugh, escape, and maybe pick up a couple of ideas of their own on coping with life.
The Boarding House by The Pioneer Woman
20 hours ago